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1. Matisse Inspired Circle of Friends
2 Magritte Inspired Surrealist Self Portrait
3. Paul Cezanne painted Fruit in a Bowl
4. Ed Hopper looking through the window
5. Wayne Thiebaud - Let them Eat Cake
6. Claude Monet Inspired Fields of Flowers
7 Mary Cassatt Family Pet
8 Wolf Kahn's Happy Trees
9. George Rodrigue Blue Dog
10. Giuseppe Arcimboldo Fun with Food
11. Abstract Shape Projects
12. Pysanky Eggs
13. Weaving Baskets
14 Albrecht Durer's Rabbit
15 Norman Rockwell
16. Edvard Munch's Sream
17 Shoes Shoes Shoes
18. Wacky Fantasy Cars
19 Hokusai's Great Wave
20. Keith Haring Fiesta Time
21 Henri Rousseau Jungle
22. Kandinsky Inspired Earthy Day Tree
23. King William Castle
24. We Can Be Heroes...Just For One Day
25. How to Draw a Dragon
26. Grant Wood inspired Hill Country Landscape
27. Quarantine is for the birds
28. Vincent Van Gogh's Starry Night Meets a NYC Skyline
29. Star Wars - May the Fourth Be With You
30 Happy Cinco de Mayo - Star Wars Exquisite Corpses
31. Teacher Appreciation Week
32. Mother's Day Tribute
33. I Get By with a Little Help from my friends.
34. Blind Contour of Mr. Parker
35. Samantha French Underwater Swimming
36. Dr Seuss' Oh the Places you'll go
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Pixar's 22 Rules of Story Telling
#1: You admire a character for trying more than for their successes.
#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
#4: Once upon a time there was ___.
Every day, ___.
One day ___.
Because of that, ___.
Because of that, ___.
Until finally ___.
#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
#17: No work is ever wasted. If it’s not working, let go and move on - it’ll come back around to be useful later.
#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
#20: Exercise: take the building blocks of a movie you dislike. How would you rearrange them into what you DO like?
#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.